Thursday, June 9, 2011
It's art! Not brain science...I mean rocket surgery....I mean...
Tuesday, April 5, 2011
Movin' on up!

Wednesday, March 9, 2011
"I have only one gear,........SLOW!!!"

For me a wild and crazy evening is watching old episodes of Bowling for Dollars on YouTube. I get sleepy at 8:30 p.m. I'm a 35 year old with the mindset of someone 25 years older. For instance how many people in my age range do you know who: 1. Has Bread's greatest hits on cassette tape and has been meaning to buy the CD format of the album for the past ten years. 2. Tells everyone in the car to shush whenever Roger Whitaker's song, The last farewell plays on the oldies radio station and then blast's the volume. 3. Hear's an old song by Nat King Cole and say's, "Boy that song brings back memories" only to hear someone else reply, "What are you talking about, you weren't even thought of when that song came out!" 4. Use the term "whippersnapper" for kids under the age of ten years old. 5. Use slang expressions from the 1930's like "Gee fellas, that sounds swell." It's seem's like I've always been an old man. This would explain why it took me a year in a half to finish this painting. What took so long wasn't so much going back to it again and again until it was perfect. It had more to with the fact that it was a very challenging painting and I was scared to finish it. So, I put in the corner of my studio space and pretended it wasn't there for a while. Deep down I knew I had to finish this painting but the problem was that I didn't know how. Finally, I got the courage to finish it and it turn out O.K. I had to step out of my comfort zone with this painting but, I discovered that by doing that, I learned a lot more. This reminds me that I must always push myself further in order for my paintings to improve. In the meantime, there are things that I'll never get used to, like text messaging. It takes me forever to write a simple message. Honestly, I don't know how these young whippersnappers do it. That's the other thing that bothers me, how does one drive whilst one is sending and responding to text messages. I don't get how people are even able to do both things at once. I always have to make sure that I'm sitting down somewhere whenever I decide to chew a piece of bubblegum. Well, I've rambled on long enough in today's entry. Stay tuned for my next painting; another beach scene.
Monday, February 14, 2011
If I were to star in a roller disco movie, it would be titled "XANA-Don't"

Monday, January 3, 2011
A free painting demonstration.
I first prime the canvas with white gesso and then I sand it down. I'll usually apply a minimum of two coats of gesso and sandpaper each coat after it dries. This make the surface of the canvas smoother and allows me to blend the colors with greater ease during the painting process. Then I begin the pencil drawing using the photo reference.
The finished drawing. You'll notice a brownish stain on the lower half of the canvas. No, that wasn't coffee that I threw at the canvas in a fit of frustration................not this time anyway. That was an earlier version of the painting that I started but then I rubbed it out because of composition issues in the drawing............at least I think that's what the problem was, I can't remember but, because oil paint is a very forgiving medium, you can make endless corrections any time you want.
Laying the darkest values in the face.
Establishing the overall color and value of the face.
You'll notice that when your in the blocking in phase of a human portrait it can start to look kind of weird at first but it comes together in the end. Your basically building the likeness of the subject. A house, for instance, will look odd when it is still under construction, like wise with a portrait.
Note to self : Make sure your camera is in focus before you upload the image to your blog page.
Blocking in the hair
This is the way I lay out the colors on my palette. I learned to arrange the colors on the palette from when I was at PAIER college. I still arrange my palette in the same order.
Blending the values of the face and hair.
Blocking in the back using the same process in creating the face.
Blocking the flowers.
Establishing the general color and value of the flowers.
Back to the face. I lay in more values to define the facial features.
Working in the background. Starting with a dark, warm and muddy color in the lower half of the background and a cool blue color in the upper half of the background, I'll go back to these areas in phases, adding layers of colors and values until I have an idea of which direction I'd like to go as far what the background will look like. I had an idea of what would be in the background when I started but I chose to focus on the composition aspect of the background and then worry about the details later in the painting.
Monday, December 6, 2010
"Hey Chris, How did your art event go?"

"You know what Rufus.......I'm about hang up on you........................"
Monday, October 4, 2010
If three is company, more is an open studio event
